Lossless encoders, in contrast, are not so effective at compressing data and will produce files that are around half the size of the input.
HE-AAC is optimized for the best quality at very low bit-rates, and will produce very small files (potentially around one hundredth of the input file size). Different codecs compress using different algorithms, and will compress to very different degrees. This will bring up the CODEC & SETTINGS edit window, enabling control over codec parameters specific to the selected codec.To remove any of the codecs in the list, click the 'x' in the top right hand corner of the list element.When you start playback through the host, by default you will hear the encoded audio (providing the MASTER IN is selected).To audition one of the other selected codecs, click on the MON button for any active codec in the list.Īll of the available codecs compress an audio data bitstream. To select a codec for auditioning, click on any available slot in the CODEC LIST. There is also a COMPRESSION tab that gives an indication of the data compression for the selected codecs, and an A-B tab that allows A-B and A-B-X auditioning.
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To the right of the codec list are three tabbed windows shown here is the BITSTREAM LEVEL / TRIM window. The ARM buttons allow selection for online recording to an encoded file. The associated MON buttons allow monitoring of the selected codec. This eliminates the need for any proprietary applications to be used when importing encoded material into your session.īy default the ONLINE mode is active, and the centre panel of the GUI contains a large FFT display, showing the spectral content of the input signal in yellow and the DIFF signal in red (the difference between the input and output signals).īeneath the FFT window the CODEC LIST contains five rows that allow the selection of up to five codecs simultaneously.
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When you need to import an encoded file into your project, but the host does not recognize the file format, the plug-in also has an offline decode section. You can compress Wav or Aiff files for offline batch processing with the codecs and settings of your choice. By auditioning and comparing codecs online, it allows you to make executive decisions on the best codecs to use, and when all is complete, then write the encoded audio to disk.Īlso contained within the plug-in is a fully featured offline encode window. The primary purpose of the Sonnox Fraunhofer Pro-Codec is to provide a way of monitoring your host session material using the highly regarded Fraunhofer encoders, without the need for offline processing. Similarly, Mastering engineers may audition in the final format and produce compensated masters for final encoding and distribution. Using this plug-in mix engineers may produce mixes optimized towards specific target codecs, thereby ensuring maximum fidelity. The revolutionary Sonnox Fraunhofer Pro-Codec now makes this possible, and includes extensive monitoring tools and built-in encoding/decoding features.
In the past it has not been possible to critically audition and then encode multiple formats in real time within a host DAW environment. The Sonnox Fraunhofer Pro-Codec Plug-In is designed for the real-time auditioning, encoding and decoding of audio signals using Fraunhofer codecs.
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